In “The External World (When a Stranger Appears),” Fred Moten considers what happens in and after the exhaustion of political philosophy. This question, he argues, is a matter of aesthetics and, moreover, of aesthetic sociality that the work of philosophers Hannah Arendt and Adrian Piper helps to foreground though, ultimately, it is in the more than political performance of Elizabeth Eckford, one of the nine students who integrated Little Rock Central High School in 1957, that another set of possibilities for thinking, acting and judging in the world comes into relief.
Fred Moten teaches at Duke University. He is author of Arkansas (Pressed Wafer Press, 2000), In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003), I ran from it but was still in it. (Cusp Press, 2007) and Hughson’s Tavern (Leon Works, 2008).